Life Drawing – Graphite (Warning – Nudity)

This week, I have resolved to use graphite for drawing. I have put together a drawing set of 2b, 6b and 9b pencils, powdered graphite, liquid graphite, XL soft graphite block, brushes and erasers. My plastic erasers are cut into wedges and I am also trying out an electric eraser. I love drawing into charcoal or graphite with an eraser but it is now particularly painful, so I have been bought the electric one.

This week, as usual, we started with short poses, but the model was placed on a rotating platform, so that we got the same pose from different angles for three minutes each.  I trued drawing each pose other the other to make a time sequence.

A2, graphite, carbon, 5 posses, 3 minutes each

The model started with his one arm elevated, but had to drop it after a few minutes. I have tried to use different graphite mediums (or an eraser) for each pose, but for one I used a carbon stick as it was getting so confusing. The rotation was only announced as the first pose started, and I wish I had had a little longer to plan this. I would have rotated my paper to landscape and planned my media to just use graphite.

A2, pencil, XL soft graphite, 15 minutes

Too much detail attempted

As usual, I find the quickest poses produce the drawings I like best for their spontaneity. This 15 minute drawing is overworked, especially in the face, the head isn’t sitting in the shoulders amongst many other problems. I was trying to consider ‘lost and found’ and define the figure by the tonal contrasts against the background, with very limited success.

I am still hearing my tutor from Drawing 1 telling me to position the whole figure on the paper. I am trying to override this, and focus in on details or completely fill the paper with body, not have acres of negative space around the body. The next pose was very vertical and I have tried to crop in so that the body has a presence across the width of the paper. To try and avoid drawing outlines, I brushed in the mass of the figure initially with graphite powder and then developed it with the large graphite block and an eraser. The size of the block precludes any detail in the face which I think has worked much better. I think that I should have cropped in more, and I am sure that I have made the torso too long. The softness of the graphite tones is lovely and carving out shapes with the eraser is very effective but I have to ration its use. The electric eraser makes much more mechanical marks, unsurprisingly, and was too noisy and intrusive.

A2, 30 minutes, graphite powder, XL soft graphite, eraser

Detail, the graphite block only allows soft, large marks

Trying to ‘carve’ the knee with eraser, too crude

For the final pose, I cropped in even harder to focus on the elbow resting on the knee. I could have cropped in even more but found all the negative spaces really interesting and challenging. I deliberately cropped through the hand because I wanted to draw it but didn’t want to push the centre of attention of the drawing right over to the edge. I have tried to create a composition which draws the eye right around the support.

A2, 45 minutes, pencil, XL graphite block, liquid graphite

I have used sparse liquid graphite on a bristle brush to try and describe each muscle and its volume. Liquid graphite has been used to create blocks of strong tone in the background. It has given this drawing drama. Once applied, the liquid graphite cannot be erased and my brushwork is not sufficiently accurate in places; I have lost the bottom of the heel on the right and tried to refind it, unsuccessfully, in pencil. The drawing makes a statement about the muscular strength of the male body in contrast to the soft, delicately curved, female body last week.

Setting myself clear objectives and limited media works well for me, and is stopping me getting stuck in the same rut. I hope and believe that my life drawing is progressing. I need to experiment with colour, although I know this is not my strength.

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